
Sacred Fools Theater Company presents...
written by Jorge Ignacio Cortiñas
directed by Jaime Robledo
CAST:
CREW:
Stage Manager: Jonathan Strebe
Fight Choreographer / Intimacy Coordinator: Jo Ann Mendleson
Music by autodealer
Set Designer: Colin Lawrence
Costume Designer: Mylette Nora
Prop Designer: Joyce Hutter
Lighting Designer: Brandon Baruch
Sound Designer: Jaime Robledo
Master Carpenter: Beth Scorzato
Builder: Jack Cox
Master Electrician: Michael Franco
Lighting Crew: Ben Wendel & Randi Orrett
Scenic Artist: Zelida Solorio
Run Crew: Madaleine Schnack
Key Art: Michelle Hanzelova
* Member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States
This production is presented under the auspices of the Actors' Equity Los Angeles Membership Company Rule.
Produced for Sacred Fools by Sidney Edwards & Scott Leggett
Special Thanks:
Hans Gelpke, Matt
Richter, Mike Simeon
& CFG Rentals
This production is supported, in part, by the Los Angeles County
Board of Supervisors through the Los
Angeles County Department of Arts and Culture.
This production is supported, in part, by a grant from the
City of Los Angeles Department of
Cultural Affairs.
Our educational projects are supported in part by the
California Arts Council, a state
agency.
Sacred Fools presents a brand new play reading night! It's casual. It's cute. It's community! And nothing builds community like coming together for a good story. Join us on the second Tuesday of each month as we explore new and known works with fellow artists. We'll see you at the theatre! More Info
Created and Live Directed by Will McFadden
COMING IN DECEMBER! Sacred Fools brings the holiday cheer with the return of Club Clown, winner of Best Clown/Alternative Comedy at the Hollywood Fringe Festival. Audiences are invited to join Frünk, Nigel, and a gang of the sexiest, funniest holiday clowns in Hollywood for an unforgettable, interactive celebration.
Written and Performed by
Elizabeth Hayhurst & Jesse Klein
Directed by Bruno Oliver
JANUARY 2027! Elizabeth has stage 4 cancer and her boyfriend Jesse has a lot of feelings about it. This semi-autobiographical story follows their ongoing saga of maintaining a relationship while dealing with a terminal diagnosis, the absurdity of the American healthcare system, and figuring out how to be another's caretaker when you're barely taking care of yourself. Penned and performed by two experienced comedy writers/performers, this world premiere confronts cancer and anxiety with unexpected humor and an unusually honest sensibility. More Info
Co-Created and Performed by
Alan Linic and Will Thomas McFadden
SPRING 2027! Audiences are clandestinely invited to the Assembly For The Nomination of Absolute Legends to behold the induction of two NEW heroes into the Book of Legends! Prepare for a historical fever dream featuring grueling physical comedy and really good accents. More Info
APRIL 2027! April marks the official 30th Anniversary of the Sacred Fools Theater Company! The community is invited to join in for a month of special celebrations, historical retrospectives, and unique presentations by our talented Resident Artists.
JUNE 2027! Sacred Fools returns to the Fringe! Stay tuned for the announcement of our TBD Hollywood Fringe 2027 Production, continuing our tradition of championing bold, new voices in the festival circuit.
Director's Note
Who am I?
That is the question at the heart of RECENT ALIEN ABDUCTIONS. It's this question that, I believe, drove Jorge Ignacio Cortiñas to write this gut-wrenching play about trauma, family, and alienation: both cultural and personal. And it's the question that compelled me to doggedly pursue a production of it since its premiere at the Humana Festival of New American Plays nine years ago.
The play begins with our protagonist, Alvaro, unraveling what he believes to be a conspiracy broadcast to him and him alone through his television set. In his effort to see the bigger picture, he reveals who he is piece by piece until we can't tell where he begins and the conspiracy ends.
For the subsequent 90 minutes we continue to explore Alvaro through the eyes of others, forcing the audience to ask themselves "Can we trust who these people say they are? How reliable is the narrator at the center of the play? And who gets the final say in what a person is and is not?"
When I discovered RECENT ALIEN ABDUCTIONS, I was directing a show called Mr. Burns, a play that also used an episode of television as a catalyst to explore deeper themes. But I got to synthesize these themes from a distance. It was a show about "Big Ideas" told on a grand scale. That was generally my theatrical playground. I directed theatrical events because that was what I wanted to see on stage. You couldn't pay me enough to see, much less direct, a kitchen table drama. An evening of 'night Mother is my own personal hell.
But this little family drama with the sci-fi packaging burrowed itself into me. Every time I read it, I saw myself. I saw a hurt, confused artist with a complicated Puerto Rican family. I saw my own unexpressed (albeit different) trauma revealed in Alvaro's words. In these characters, I saw my uncles and my aunts and my parents. I also saw real world issues, toxic aspects of the culture I was raised into and an island left to fend for itself in the wake of neglect and paper towels.
While working on this play, for the first time in my life I wasn't an artist who happened to be of Puerto Rican descent. I was a Puerto Rican director telling a story about Puerto Ricans both on the island in the Caribbean and the city of New York: a story about the struggle that wasn't about struggle. As I explored these characters, this play, this author, I ultimately explored myself: who I was, where I came from, and where I'm going.
But this exploration isn't a closed loop. It's an invitation for audiences of every background to investigate who they are and how they are shaped by their pain, their upbringing, and their culture. RECENT ALIEN ABDUCTIONS is specific and universal at the same time. And after a long, winding road to the stage, nothing brings me greater joy than to share it with you all.
Thank you to Jorge Ignacio Cortiñas for your words and your experience. I owe you lunch. Thank you Bobby Placensia for giving me the script to read almost nine years ago to the day. Thank you to Sacred Fools Theater Company for sticking with me, letting me succeed, and fail, and taking a chance on what is not my usual flight of whimsy. Thank you to Scott Leggett for being this play's champion and nearly keeling over attempting to produce it. Thank you to every Robledo, Ortiz, Milagros, and Malave that made me. And finally, thank you to the master artistry of Willie Colón, Rubén Blades, and Héctor Lavoe.
¡Que cante mi gente!
Jaime Robledo
Director, Recent Alien Abductions
Managing Director's Note
On behalf of the entire Sacred Fools staff, I would like to welcome you to the West Coast premiere of Jorge Ignacio Cortiñas's RECENT ALIEN ABDUCTIONS, the first production of our 30th Season.
Over the last thirty years, our company has gone through a lot of changes. But one thing that has remained constant over all of that time is our desire to take risks. Being "foolish" in that way is something in which we have always taken pride. Now as we embark on an exciting new chapter, I want to recognize and thank the countless artists who over the years have poured their heart and soul into this foolhardy mission. And I want to welcome you, whether you are a long-time Sacred Fools alum or an artist meeting us for the very first time, to come take these risks with us. Because now more than ever it feels absolutely necessary to create work that shakes the world to its core- for artists to take their private truths and force the world to see. Sacred Fools has been and wants to continue to be an incubator for those voices and stories. And this is why we couldn't be more proud to share this story with you.
Over the course of this season we will find moments to both celebrate our history and share with you exciting new work. Whether it's through our programming, educational outreach, or even our stewardship of the Broadwater stages, we hope to connect with you as Angelenos, artists, and most importantly, people. Theater is a risky venture, but it's only truly foolish when we do it together.
Thank you for joining us tonight- we hope to see you around the Broadwater this year!
Padraic Duffy
Managing Director
The Sacred Fools Theater

Alexis DeLa Rosa (he/him) has been a part of the L.A. theatre community since 2012 and is proud to be making his debut on the Sacred Fools stage. Theatre credits include Niagara Falls, Eat the Runt, and last spring's The Dignity Circle at Theatre of NOTE. TV appearances include Shameless, The Last Ship and Hawaii Five-0. Playwright credits include Fruition, produced by Theatre of NOTE. Also a filmmaker, his most recent project, FOURTH, is currently making its festival run; follow on IG @fourthshortfilm. He is a Native New Yorker and a proud Wesleyan alum. Thank you to my wife Crystal and our greatest production yet, Isabella, for continuing to make dreams a reality. IG HANDLE: @alexisdlr

Crystal Diaz (she/her) has performed in Los Angeles, New York, Chicago, London and Edinburgh. This is her first production since having her child in 2019. It takes a lot to get her out these days so she thanks this incredible team and cast. She was last onstage at the Kirk Douglas Theatre in For the Love Of, or The Roller Derby Play. Other credits include Hot Cat at the Edinburgh Fringe, and Skeleton Stories; Cleo, Theo & Wu; and Shoe Story at Theatre of NOTE. Crystal is a native New Yorker, a trained ballet & flamenco dancer, and is always down for a cup of tea (never coffee). Her family keeps her going - husband Alexis, daughter Isabella, Penny the dog & Lily the puppy. A huge thank you to our village and my mom for making it possible for us to do this play.

Lynn Adrianna Freedman (she/her) is thrilled to return to the stage after her last stint as Mary in the highly acclaimed 2024 production of Theresa Rebeck's Mauritius at the Theatre 68 Arts Complex. Equally accomplished behind the scenes, Lynn earned an NAACP Theatre Award nomination for Best Choreography for her vibrant work on Sacred Fools' How We Got On (also directed by frequent collaborator and fellow Bronx native, Jaime Robledo). On screen, she has worked with visionary filmmakers in celebrated films like Kathryn Bigelow's A House of Dynamite, David Fincher's Gone Girl and Spike Jonze's her, and more . On television, she has appeared on The Lincoln Lawyer, The Offer, Matlock, Criminal Minds: Evolution, American Crime Story: Impeachment, 9-1-1 and many more. Alongside her performing career, she is a writer, producer, and the founder of Freedom in Art Studio. Lynn sends immense gratitude to Sacred Fools, her amazingly talented cast, wonderful crew, and her loved ones for their endless support. Extra special thanks to my incredible daughter, O, for providing me with endless joy and laughter and always inspiring me to be the best mom, and human that I can be.

Thais Menendez (she/her) is a Cuban-American multilingual actor who has appeared onstage and onscreen in English, Spanish, and French. She is a proud member of Actors' Equity and SAG-AFTRA and is thrilled to be making her Sacred Fools debut as part of this brilliant Latine ensemble. IG: @thais.menendez
Selected Theatre: Two Sisters and a Piano (written & directed by Nilo Cruz, Miami New Drama); El Huracán (GableStage); Tentación (LA Philharmonic); A Misanthrope (Avant Bard); Things That Are Round (Rep Stage, World Premiere); columbinus (1st Stage, Helen Hayes Best Ensemble nomination); Don Cristobal (Pointless Theatre); What Every Girl Should Know and Dry Land (Forum Theatre); Señorita y Madame (GALA Hispanic Theatre); Oyéme, The Beautiful (Imagination Stage)
TV: 911 (ABC); The Bold & the Beautiful (CBS); While You Were Breeding (Freeform)

Erica Ortega (she/her) was born and raised in Los Angeles and graduated from CSULA with a Bachelor's degree in Theatre Arts. She has had the great fortune to bring theatre for young audiences to under-resourced communities for over 30 years as a performer/director. She has performed in theatre for the Hollywood Fringe Festival, LA Diversified, The Bilingual Foundation of the Arts, Mark Taper Forum, South Coast Repertory, The Arizona Theatre Company and Playwrights' Arena. She is returning to acting after a 20-year hiatus. Previously, she appeared on television in The Pretender, Babylon 5, Air America, and Chicago Hope, and in film projects such as Panic and Killers. She is excited to work with emerging artists and veteran professionals who include the voices of middle-aged Latinas in their storytelling.

Peter Pasco (he/him) is from the Boogie Down - LET'S GO, YANKEES! - and an NYU graduate with a degree in literature and psychology which he tossed to the side to be an actor. Plot twist! Peter's worked on commercials, tv, films, plays and himself. Facts! Though his exes may not agree.
And you know what, Jessica, you're NOT perfect. Just saying!
His first alien abduction happened on (redacted); he then encountered aliens in a (redacted). Uh-huh.
Peter was in IAMA's emerging playwrights group in 2022/23. His first play was a semifinalist for the O'Neill and Blue Ink. Last year, he was in Play Penn's playwriting cohort. Recently, he was commissioned to write a play through the Lucille Lortel's Alcove program.
He dedicates this performance to all the nerds who watched The X-Files. Why, bro? Seriously. Why?

Jorge Ignacio Cortiñas (he/him) is a theater-maker based in New York. RECENT ALIEN ABDUCTIONS was fiirst presented at the Humana Festival at the Actors Theater of Louisville. Other works include Backroom (Whitney Museum of American Art), Bird in the Hand (Fulcrum Theater, New York Times Critics Pick, published by Dramatic Publishing) and Blind Mouth Singing (NAATCO, New York Times Critics Pick). His many awards include fellowships from the Guggenheim Foundation, the National Endowment for the Arts, United States Artists and the New York Foundation for the Arts. His plays have also been published by Playscripts and TDR/The Drama Review.
Jaime Robledo (he/him) is an award-winning LA-based director, writer, and designer who specializes in cinematic theatricality, genre theater, and developing new work. Past credits for Sacred Fools Theater Company include Watson: The Last Great Tale of the Legendary Sherlock Holmes, Stoneface, Astro Boy and the God of Comics, and Mr. Burns, a post-electric play. Other select credits: Medea Comes to Our Town (world premiere, Lightning Rod Theater), Hearts Like Fists (world premiere, Theatre of NOTE), Clown Bar (West Coast premiere, Pasadena Playhouse), Wicked Lit (Unbound Productions).
autodealer is the music project of Matt Richter. He has written and performed as autodealer since 2002, and toured the Midwest and played numerous festivals. A current member of the Somewherecold Records roster, he's released 3 albums and 2 EPs since joining in 2020. He also writes and records as half of the duo Transverse, with Jason Lamoreaux. He's written music for the Echo Theatre Company, The Elephant Theatre Company, and independent productions in the greater Los Angeles area.
Brandon Baruch (he/him) is a Los Angeles-based designer specializing in theatre, opera, dance, and immersive entertainment. He recently made his West End debut with StarKid Productions' The Guy Who Didn't Like Musicals at the historic Apollo Theatre on London's Shaftesbury Avenue. Elsewhere, his design work has been seen at Center Theatre Group (Mark Taper Forum and Kirk Douglas Theatre), The Wallis, El Portal Theatre, REDCAT, The Ford Amphitheatre, Getty Villa, Long Beach Opera, Opera Santa Barbara, Chicago Opera Theater, Apollo Theater Chicago, New York City Center, Jerry Orbach Theatre and across Southern California, regionally, and internationally. Brandon is excited to return to Sacred Fools for another production. www.brandonbaruch.com

Joyce Hutter (she/her) is incredibly excited to envision Sacred Fools' production of Jorge Ignacio Cortiñas' RECENT ALIEN ABDUCTIONS, directed by Jaime Robledo.
As an artist, designer, filmmaker, and puppeteer, Joyce is thrilled to collaborate with the Sacred Fools Theater Company. Her theatrical designs have enhanced numerous theater productions over the years, earning her the Los Angeles Drama Critics Circle Award for her achievements in puppet and mask design. Some of her notable set designs include Achilles in Arcadia, Medea Comes to Our Town, Hurricane Kate, Brushstroke, and Waiting for Waiting for Godot, among others.
In addition to her design work, Joyce is the artistic director of Strings & Things Puppet Theatre, where she produces "Nite At The Puppet Asylum," a unique puppetry slam for adult audiences that is part of the Puppet Slam Network. For more information, visit her website.
Colin Lawrence (he/him) is a scenic designer and artist from Lake Tahoe, CA. This is his first production with Sacred Fools and he is thrilled to be working with this amazing team. Previous credits: The Araron Play (Indie Shakes Company); The Guy Who Didn't Like Musicals: West End and TGWDLM:Reprised (Team Starkid); Book of Will, These Shining Lives, and Emilie La Marquise... ('Begins & Ends with A' Productions); The Allstore and Kill Shelter (Theatre of NOTE); Grief Box (Hollywood Fringe); Romeo and Juliet, As You Like It, The Baby Play, What Happened While Hero..., Henry IV Parts 1 & 2, and Tartuffe (Art of Acting Studio). Set Dressing Credits: Running Point, Star Trek: Picard, Rebel Moon Parts 1 & 2 and The Voice. Love to BDPMA.
Fight Choreographer / Intimacy Coordinator (she/they) is a Director, Fight and Intimacy Choreographer, and Theatrical Movement Instructor. She holds an MFA in Performance for Television, Film and Theatre at Cal State LA and is a Professor of Theatre at Loyola Marymount University, Santa Monica College, Cerritos College and Long Beach City College. Jo Ann is delighted to be back at Sacred Fools for its 30th season, having previously fight directed for the world premiere of Deadly in 2019. Other recent Fight and/or Intimacy Direction credits include Sweat (Loyola Marymount University, 2026), The Play That Goes Wrong (Brentwood School, 2025), Stoneface: The Rise and Fall and Rise of Buster Keaton (Big Bear Theatre Project, 2025), Carrie: The Musical (LMU, 2024), Fuente Ovejuna (LMU, 2024), Hyannis (LMU, 2023), Macbeth (Shakespeare on the Bluff, 2023).
Mylette Nora (she/her) Ovation Award (Best Costumes), NAACP Theatre Award (Best Costumes), listed in the honors edition of The Cambridge Registry of Who's Who Among Executive and Professional Women; works worldwide consists of television, film, and stage, and was seen nightly on The Tonight Show with Jay Leno and now weekly on Jay Leno's Garage. The famed artist Synthia St. James noted Mylette as being the inspiration for her world renowned painting "Ensemble," which graced the cover of the best selling novel "Waiting To Exhale" by Terry McMillan.
Jonathan Strebe (they/them) works across the OC and LA area as a stage manager for productions both big and small. Most recently, they opened the new A Hogwarts Express Adventure with Warners Bros and What Price Freedom with Moving Arts Theater. They enjoy working on new play development with Inkwell and Moving Arts theater and bringing local playwrights incredible vision to life on stage. They dedicate their work to their sister Sami for always believing in them!

Sidney Edwards (she/her) is a multidisciplinary artist based in Los Angeles, California, working as an actress (AEA), singer, dancer, improv artist, and director. She holds a BFA in Musical Theatre from William Peace University and an MFA in Acting from the University of Louisville, where she also earned a graduate certificate in African American Theatre.
Sidney is the director and co-writer of TYT 5, an award winning one-man show starring Byron Coolie that premiered at the 2024 Hollywood Fringe Festival.
One of Sidney's most celebrated achievements is receiving the Distinguished Actor Award at the 2018 Kennedy Center American College Theater Festival. She was also honored to perform at the 2017 National Black Theatre Festival. During her graduate studies, she was awarded the prestigious Warren Oates Award in recognition of her outstanding talent and promise as an MFA student.
Her favorite stage roles include Amneris in Aida (Karamu House, 2019), Sally Bowles in Cabaret (NC), and Squeak in The Color Purple (NC).
A passionate advocate for arts education, Sidney has served as a teaching artist with the Geffen Playhouse, Cleveland Play House, and the legendary Karamu House Theater. She has also held faculty positions at Baldwin Wallace University and the University of Louisville, where she served as Director of the African American Theater Program.
Insta: @ms.sidneyedwards
https://www.sidneyedwards.com/

Scott Leggett (he/him) is a Fringe veteran, having directed This Show Is Surrounded By True Events in 2024 while at the same time Producing the shows TYT 5 and The Planet Earth Farewell Concert. He won Best Two-Person Play, along with Nedra Gallegos, for Ronnie Larsen's If I'm Good in 2023. He performed multiple characters in Burglars of Hamm's critically acclaimed production of Resa Fantastiskt Mystisk, which won Top of Fringe in 2017. He was Monster in Cookie and the Monster at the HFF '15, which won Best Ensemble. He earned praise playing Roscoe "Fatty" Arbuckle opposite French Stewart in the critically acclaimed Pasadena Playhouse production of Stoneface: The Rise and Fall and Rise of Buster Keaton. At Sacred Fools, he played the titular character in Watson: The Last Great Tale of the Legendary Sherlock Holmes as well as its sequel. He studied theater at Penn State University and has appeared in several films, commercials and TV shows. Scott is also an accomplished director, having staged the hugely successful adaptation of Forbidden Zone at Sacred Fools. He also directed The Poe Show, which won Best Comedy at the HFF '15, and Skullduggery: The Musical Prequel to "Hamlet." He currently serves as the Co-Artistic Director for Sacred Fools.
Managing Director:
Padraic Duffy
Co-Artistic Directors:
Sidney Edwards
Scott Leggett
Technical Director:
Rebecca Schoenberg
Director of Operations & Peer Engagement:
Bruno Oliver
Education Director
Business Manager
& Grants
Coordinator:
Emily Kosloski
Webmaster:
Corey Klemow
Board of Directors:
Michael Caldwell
Padraic Duffy
Victor Isaac
Bob Gookin
Bruno Oliver
Detra Payne
Paul Plunkett
Ariadne
Shaffer
John Sylvain
